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[jazz, post-rock] (2017) Erland Dahlen - Clocks [FLAC,Tracks] {100.XY}

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(2017) Erland Dahlen - Clocks


Review:
Erland Dahlen’s Clocks presents the listener with a series of epic
cinematic soundscapes. Although there is no actual film to illustrate, the imaginative power and suggestive resonance of
Dahlen’s compositions easily stand comparison with the work of leading film composers. As Dahlen – whose
previous album, Blossom Bells, was nominated for a Spellemannspris, the Norwegian ‘Grammy’ – is a
drummer, one might first think of Antonio Sanchez’s percussive score for ‘Birdman’, say, but Clocks
employs such a broad range of sound-sources and musical reference-points that it’s probably closer to the
atmospheric film-work of Tangerine Dream or Ryuichi Sakamoto. Police drummer Stewart Copeland’s music for
‘Rumblefish’ and the contributions to ‘Apocalypse Now’ by the Grateful Dead’s Mickey
Hart and Bill Kreutzmann come to mind, too.
Rock and post-rock references are relevant, for Dahlen appears
completely unapologetic about adding an echo-laden Eighties drum-thump, or a buzz-saw industrial guitar-drone alongside
the avant-garde found-sounds one might associate with Harry Partch hub-caps, gongs or bells. In ‘Clocks’,
what could be regarded as the usual drummer’s strategy of layering one percussive source on top of another is
superseded by a complex structural amalgam of melody and rhythm where the textural detail becomes so dense that
it’s impossible to tell where one leaves off and the other begins. The result is a collection of moodily
anthemic, often dark-hued pieces that in a noirish thriller might be used to accompany a hit or a heist. As stand-alone
music, they function perfectly as edgily ambient soundscapes with an epic widescreen feel.
The range of instruments
Dahlen employs is also a world away from the usual percussionist’s standbys. Here, the ethereal, eerie sound of a
musical saw or a Mellotron, or a wailing wordless vocal, provides the fragile melodic figure to set against a thick,
rhythmic ground provided by a palimpsest of vintage drum-sounds, their scuffed acoustic patina further distressed by
electronic processing. Indeed, Dahlen’s list of instruments for the album includes, as well as antique drums from
the 1930s, various gongs, xylophones, bells, bowed instruments and strings as well as drone-boxes and electronics, plus
the workaday sounds of knives and forks or marbles rolling on a plate. “Before I went into the studio to make this
album I bought some Cymbells, a Mellotron, several large sheets of metal and a variety of drum machines and stringed
instruments”, Dahlen recalls with enthusiasm, like a chef talking about assembling ingredients for the preparation
of that evening’s menu. “It’s incredibly inspiring to explore new instruments and find new
sounds.”





Tracklist:
01 - Clocks.flac
02 - Glas.flac
03 - Ship.flac
04 - Bear.flac
05 - Lizard.flac
06 - Wood.flac


Summary:
Country: Usa
Genre: jazz, post-rock


Media Report:
Source                           : CD
Format                    
      : FLAC
Format/Info                      : Free Lossless Audio Codec, 16-bit PCM
Bit rate mode           
        : Variable
Bit rate                         : ~ 720-886 Kbps
Channel(s)                       : 2
channels
Sampling rate                    : 44.1 KHz
Bit depth                        : 16 bits

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